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The eagerly anticipated anthology from the editors who coined the term “flash,” with stories by today’s best fiction writers.
After publication of the first Flash Fiction anthology over a decade ago, “flash” became part of the creative writing lexicon for readers, writers, students, and teachers. In this follow-up collection, the editors once again tackle the question: “How short can a story be and truly be a story?” Determined to find the best flashes from America in the twenty-first century, James Thomas and Robert Shapard searched everywhere for stories that were not merely good but memorable. Moving, and certainly unforgettable, this collection includes stories from the best and most popular fiction writers of our time, including Ron Carlson, Robert Coover, Steve Almond, Amy Hempel, A. M. Homes, Grace Paley, and Paul Theroux. In addition, Rick Moody properly defines armoire, Lydia Davis delves into a world of cats, and Dave Eggers explores narrow escapes. Over and over, these stories prove that often less is more.- Sales Rank: #76774 in Books
- Brand: Thomas, James (EDT)/ Shapard, Robert (EDT)
- Published on: 2006-08-17
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .60" w x 5.50" l, .48 pounds
- Binding: Paperback
- 237 pages
From Publishers Weekly
Starred Review. In their second collection of "flash fiction" stories-aka "short shorts"-Thomas and Shapard have pulled together almost 80 works that are consistently swift and powerful, distilling the intricacies and flourish of short fiction into just a few pages. In "The Memory Priest of the Creech People," Paul Theroux's protagonist preserves the collective memory of the Creech people before he is cannibalized by his constituency. Hannah Bottomy's "Currents" replays in reverse the events surrounding the drowning of a young boy. Ron Carlson's "The Great Open Mouth Anti-Sadness" witnesses a father laying drunk on his bed after his daughter's wedding, feeling the whirl of the overhead fan and struggling to name his emotions. Jack Handey's darkly comic "The Voices in My Head," Lon Otto's parable of debating sloths in Costa Rica and David Galef's hilarious "My Date with Neaderthanal Woman" provide laughs. Profound revelations develop in Leonardo's Alishan's "The Black City," in which a minor shaving injury provides the vehicle for a frightening psychological journey; and in Barbara Jackson's "Gemoetry Can Fail Us," in which a man's struggle to fell a tree leads to surprising insight into his wife's love. Exquisite entries from a number of other notable authors, including John Edgar Wideman, Richard Bausch, A.M. Homes, Dave Eggers, John Updike, Amy Hempel, Tony Earley and Rick Moody will also delight. Ranging in style from crisp, sober realism to outlandish surrealism, these small treasures make a convincing argument for the relevance and vitality of this little-celebrated genre.
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From Booklist
Flash Fiction (1992) promulgated the joys of very short stories and started a trend. The "flash" approach has proven extremely popular for writers and readers alike, and the editors were curious as to why. Is it because our attention span has atrophied, thanks to our ardor for instant messaging and other snap electronic communications? Or is it because stories no longer than 750 words are compressed in the way that poetry is concentrated, so that flash fiction has impact and is memorable? Although the form is concise, the subjects broached tend to be substantial, and it is a particular pleasure to read these pared-to-the-bone stories that cover the spectrum from blithe to intense, funny to sad. The 80 writers gathered here range from emerging to well known. John Edgar Wideman imagines a man in the rain with a banana. Katharine Weber makes babysitting mysterious. Ander Monson presents "To Reduce Your Likelihood of Murder." Charles Baxter, Grace Paley, Ray Gonzalez, Ann Hood, Melanie Rae Thon, Richard Bausch, and John Updike all appear like flashes of lightning. Donna Seaman
Copyright © American Library Association. All rights reserved
About the Author
Robert Shapard directed the University of Hawaii MFA program and now lives in Austin, Texas.
James Thomas has received two NEA grants and a Stegner Fellowship; he lives in Xenia, Ohio.
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